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SUCCESS CASE · Mobility

Kawasaki

This case explains the challenge of Kawasaki, the solution Video Editor and the decisions that allowed it to be applied with knowledge, human control and reviewable results.

StrategyOwn knowledgeProportional permissionsHuman supervisionMeasurement and improvement
01

An audiovisual stream assisted by AI to select, subtitle and adapt material without losing the intensity or identity of the brand.

A circuit session, a route or a product presentation can generate hours of video, multiple cameras and a lot of potential moments. The challenge for Kawasaki was to turn this material into useful pieces for different channels before the present day lost strength.

Karmina AI Studio implemented a Video Editor which prepared transcripts, selects, first mounts and adaptations. The audiovisual team continued to build the story, checking the specifications and deciding what moments the brand really represented.

Main CTA: Accelerate your audiovisual production CTA Secondary: Discover the Video Editor

02

Summary Fact Sheet

  • Brand: Kawasaki
  • Sector: mobility and motor
  • Challenge: take better advantage of the footage and reduce the time until the first version
  • Principal Agent: Video Editor
  • Complementary agents: Social Publisher · Brand Guard
  • Service: Karmina Always-On Social AI
  • AI layer: Audiovisual agent for transcription, selection, first assembly and adaptation
  • Human role: report, direction, final selection, technical accuracy and rights
03

El challenge

The speed of publication can not disfigure the speed that you want to explain

Motor material combines sound, motion, product, safety, technical data and emotion. Fast cutting is not enough: a selection without context can exaggerate a performance, show an inadequate practice or repeat plans that make you lose intensity.

The challenge was to reduce the load of viewing and adaptation by maintaining a controlled narrative, faithful to the product and consistent with each channel.

04

The starting point

Traditional flow could force the team to manually review many hours before finding useful sequences. Then came transcripts, subtitles, vertical versions, different durations, and text settings.

It was proposed to separate the process into two layers: automated preparation and creative editing. The first reduced mechanical work; the second assumed all decisions of meaning.

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05

The Karmina AI Studio approach

The Video Editor could:

  • synchronise and order the material;
  • transcribe statements and identify issues;
  • prepare selects according to briefing;
  • mark plans with product, action, environment or testimonial;
  • generate subtitles and first reframes;
  • to propose versions for duration and channel.

The system always retained the link to the original file for any cut to be reviewable.

06

How it worked

  1. Intake of material with metadata, rights and briefing.
  2. Transcription and classification by scene, product and type of plan.
  3. Selections with time code.
  4. First assembly without publishing or replacing the originals.
  5. Technical, creative and safety review.
  6. Adaptation to each channel and file of approved decisions.
07

Governance and Limits

  • The agent did not invent motor sound, performances or statements.
  • The specifications came from current official tokens.
  • They did not publish conduct that could be interpreted as unsafe use.
  • Faces, enrollments, locations and music were reviewed according to rights.
  • No final cut was published without editorial and technical approval.
08

Results

The AI accelerated the move from raw material to a debatable first version. The team was able to spend less time locating fragments and more time building rhythm, tension and identity. A single shoot powered reels, short clips, product pieces, making-of and internal materials without starting every version of zero.

Main results: Better shooting, less mechanical viewing time, faster subtitling and greater consistency between versions.

09

Related agents and services

  • Video Editor: Prepare, select and adapt.
  • Social Publisher: Contextualize each version by channel.
  • Brand Guard: It shows consistency, claims and uses.
  • Always-On Social AI: It connects shooting with the schedule and learning.
10

Closure and CTA

Automate preparation to give more time to the edition that builds brand

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